Switching the Script: Unveiling the Linguistic Dance of Code-Switching in Nigerian Online Skits
DOI:
https://doi.org/10.53696/27753719.41138Keywords:
code-switching, online comic skits, humour, digital entertainmentAbstract
This journal article presents an in-depth investigation into the intricate phenomenon of code-switching in Nigerian online comic skits, a burgeoning genre of digital entertainment. Within Nigeria, a nation characterized by linguistic and cultural diversity, online comic skits have emerged as a potent medium for creative expression, social commentary, and cultural representation. This research delves into the analysis of the different roles and types of code-switching employed by content creators in these skits, elucidating their linguistic, sociocultural, and comedic dimensions. Conducting a descriptive qualitative analysis, Poplack's (1980) Model of Types of Code-Switching and a functional model adapted from Hoffmann (1991) and Appel and Muysken (2005) were applied. Five skits, selected based on substantial viewership and the popularity of content creators, formed the core of this study. Our findings indicate that all three types of code-switching are prevalent in the skits, with inter-sentential switching being the most frequent. Additionally, the seven functions of code-switching manifest in the skits, with the referential function emerging as the most frequent. The primary use of code-switching in these skits revolves around fostering humor, expressing strong emotions, and portraying the educational status of the characters.
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